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By Alexander Gerard

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And fimpllclty become Objects endued with thefe* qualities Of the 32 tafte of PART L beauty. mind (hey do not diftradl our attention, or hurry us too fait from one fcene to another : the view of lities into enter eafily the : the whole, and, impelling the apart fuggefts mind to imagine the red:, produces a grateful exertion of its energy. in all the beautiful ACCORDINGLY, works of nature, uniformity is preferved in the general appearance of the correfpondent parts. And though a perfectly accurate regularity is avoided, both in natural effects and in the fine arts ; yet fo much of it muft be retained, as to keep the variety from degenerating into Regular figures perplexity and confufion.

IV. Of tie tafle of imitation. municate finenefs to a fentiment. 5 1 Moft of the figures and tropes of eloquence derive their grace from their being fo employed, as to correfpond with the natural expreffions or objects of thofe paffionsandfentiments, which actuate the orator, or which he would infpire Improbability, which is of refemblance to natural things, al- into his audience. a want a fable or ftory lefs entertaining j the improbability be very great, or extend to the material parts, it often makes it ways renders and if wholly naufeous.

Of tie tafle of imitation. municate finenefs to a fentiment. 5 1 Moft of the figures and tropes of eloquence derive their grace from their being fo employed, as to correfpond with the natural expreffions or objects of thofe paffionsandfentiments, which actuate the orator, or which he would infpire Improbability, which is of refemblance to natural things, al- into his audience. a want a fable or ftory lefs entertaining j the improbability be very great, or extend to the material parts, it often makes it ways renders and if wholly naufeous.

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An Essay on Taste by Alexander Gerard


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