By Frank S Pyke; Ken Davis
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Extra info for Cutting edge cricket
There were times when I tried gripping the bat with just the thumb and forefinger. 2. By contrast, Shipperd and Hills had unusual grips that they believed still enabled them to play adequately, and so they didn’t change them to any extent. Hills said he had a ‘funny grip, but I stuck with it because it was comfortable and still allowed me to get the full face of the bat to the ball’. Shipperd, a diminutive player, believed his ‘hands apart’ grip was effective in countering balls that were reaching him at chest or throat height.
In practice, when players perform a drill well, they should repeat it for several days in a row. Alternatively, if they are having difficulty with their skills during a particular session, the coach should try to finish on a note where the players achieve some success. visualising skilled MoveMent patterns Players should visualise the way they want to perform a skill. For example, with catching, players should picture themselves between deliveries running to take a catch and should strive to remember the feelings of how the ball is to be taken in the hands.
Although this book is not meant to be a book about techniques, inevitably, the players we interviewed mentioned some aspects of technique that helped them to become better players. As mentioned previously, Ian Redpath was steeped in a sound technique but coupled this with attacking stroke play. Such a view is supported by john InverarIty, whose drills focus on developing a full, uninterrupted swing of the bat (these drills will be outlined in more detail later). Although BoB SImPSon recommended work on technique, he warned about the issue of overcoaching: Early on, I assisted with coaching at my club and, through teaching, I learnt something about technique.
Cutting edge cricket by Frank S Pyke; Ken Davis