By Charles Bernheimer
Charles Bernheimer defined decadence as a "stimulant that bends idea off form, deforming conventional conceptual molds." during this posthumously released paintings, Bernheimer succeeds in creating a serious idea out of this perennially stylish, hardly understood term.
Decadent Subjects is a coherent and relocating photo of fin de siècle decadence. Mature, ironic, iconoclastic, and considerate, this impressive choice of essays indicates the contradictions of the phenomenon, that's either a situation and a frame of mind. In trying to exhibit why humans have did not provide a passable account of the time period decadence, Bernheimer argues that we frequently mistakenly take decadence to symbolize anything concrete, that we see as a few kind of agent. His salutary reaction is to come back to these authors and artists whose paintings constitutes the topos of decadence, rereading key overdue nineteenth-century authors corresponding to Nietzsche, Zola, Hardy, Wilde, Moreau, and Freud to rediscover the very dynamics of the decadent. via cautious research of the literature, paintings, and tune of the fin de siècle together with a riveting dialogue of the various faces of Salome, Bernheimer leaves us with a desirable and multidimensional examine decadence, all of the extra vital as we emerge from our personal fin de siècle.
Effortlessly integrating his remarkable archival study, Bernheimer offers readers the feel of being in a collegial seminar with him.
Charlie had many pals, admirers and highbrow interlocutors within the box, and the booklet will locate a big position with them, either as a homage to his reminiscence, and as a testimonial to the type of literary-historical-psychoanalytical scholarship he represented in literary studies.
(Emily S. Apter, college of California la 2005)
An first-class e-book via a widely known authority within the parts of eu literature, tradition, and psychoanalysis.
(Christopher S. Nassaar Pre-Raphaelite Studies)
From the Publisher
"Charlie had many acquaintances, admirers and highbrow interlocutors within the box, and the ebook will locate an enormous position with them, either as a homage to his reminiscence, and as a testimonial to the type of literary-historical-psychoanalytical scholarship he represented in literary studies."
~ Emily S. Apter, college of California Los Angeles
Charles Bernheimer used to be a favorite pupil within the components of ecu literature, tradition, and psychoanalysis. He taught Romance languages and comparative literature on the college of Pennsylvania and authored and edited a number of books, together with Comparative Literature within the Age of Multiculturalism, a part of Johns Hopkins' Parallax sequence.
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Extra info for Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and Culture of the Fin de Siècle in Europe (Parallax: Re-visions of Culture and Society)
I think not. Reading through this list, one feels bewildered, confused, even exasperated. It is tempting to conclude that Nietzsche, far from being an expert in questions of decadence, couldn’t get anything straight on these matters and merely rationalized his intellectual disorder by appealing to a theory of multiple perspectives. But I have maintained otherwise. I have claimed that he is justiﬁed in boasting of his decadent expertise. So, you may well ask, in what do I think his special insight consists?
Then she can be transﬁgured into a trope of male creativity. 25 Once physical distance from woman’s decadence has been achieved, then she can be appreciated as a welcome poetic eﬀect in the distance. 26 Indeed, the question of woman is crucial to the production of “an art for artists,” that is, an art produced by men for the beneﬁt of similarly inclined men. Such artists do not desire to uncover truth, Nietzsche says; their wisdom is shown by their appreciation of the “veils, .
Is more ‘natural’ than man’s” (BGE, 169). ” It is like an infection, an illness, a physiological decadence. ”23 As Theodor Adorno has pointed out, insofar as aversion from women is fundamental to Christian dogma, Nietzsche is subjecting his thought to an ideological system he claims to abhor: “The fact that Nietzsche’s scrutiny stopped short of them [feminine natures], that he took over a second-hand and unveriﬁed image of feminine nature from the Christian civilization that he otherwise so thoroughly mistrusted, ﬁnally brought his thought under the sway, after all, of bourgeois society.
Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and Culture of the Fin de Siècle in Europe (Parallax: Re-visions of Culture and Society) by Charles Bernheimer