Download PDF by Fred Gray: Designing the Seaside: Architecture, Society and Nature

By Fred Gray

ISBN-10: 1861892748

ISBN-13: 9781861892744

In Alfred Hitchcock’s To capture a Thief , a beach hotel was once the environment for thievery and intrigue. Fred Astaire and Ginger Rogers tap-danced their method to status at a Brighton inn in The homosexual Divorcee . The beach inn has consistently held a different fascination, a spot of containment and rest that has a distinct shape within the actual panorama: towering lodges, shop-lined boardwalks, and sprawling shorelines. Fred grey delves into the historical past of beach structure right here in Designing the beach , writing the wealthy and overseas tale of the seashore resort’s various constructions from the eighteenth century via at the present time. grey is not just within the actual buildings but in addition the cultural mores they represent—the “yearly holiday,” and our attitudes approximately relaxation. The coastal panorama has been reworked through this geography of rest, and grey considers the actual and cultural shifts that happened whilst retailers, boardwalks, and motels buried sand dunes and marshes underneath their beams. He examines the layout methods that went into growing the varied constructions and areas inside a seashore hotel, giving complete cognizance to ephemeral buildings akin to pavilions and summer time present retailers in addition to the trademark inn constructions, fairgrounds, and open areas. Designing the seashore additionally unearths how occasions resembling good looks pageants made seashore hotels into websites of discussion over conflicted problems with sexuality and morality. Drawing on a various array of ancient material—photographs, guidebooks, postcards, and posters—Fred grey bargains a desirable account of the cultural and social symbolism of the beach inn and its function within the glossy panorama. (20060721)

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Additional info for Designing the Seaside: Architecture, Society and Nature

Sample text

Mostly caused by sewerage effluents flowing into the sea, the pollution of sea water was partly the product of holidaymakers themselves: what they had evacuated in the morning they might be swimming in a few hours later. 71 The pollution of beach waters, although perhaps glimpsed, touched or sniffed by holidaymakers, was mostly out of sight and out of mind in the sense that dominant opinion held it was not a public-health risk. The unhealthy and unattractive sea-waters could, though, have spectacular consequences, damming particular resorts and leading to sometimes half-hearted ameliorative measures.

Occasionally, as at Ramsgate, Kent, a station was located on the beach itself, disgorging excited visitors directly into their seaside experience. Building and designing seaside resorts took place in the context of evolving construction and building technologies and their design and social uses. To cope with the influx of new visitors in the second half of the nineteenth century, innovative, modern, seaside architecture emerged. Iron and subsequently steel, combined with concrete and plate glass, became the main building materials of seaside entertainment buildings.

22 Once the middle and working classes were able to holiday by the sea, one persistent conflict revolved around whether resorts were select and respectable or popular and open to all-comers. At times the controlling seaside authorities, including landowners and municipal authorities in Britain, deliberately marketed their resorts to the wealthy exclusive market. The use of the seaside and its architecture by holidaymakers and the social tone of a resort were regulated through a range of mechanisms, albeit sometimes unsuccessfully.

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Designing the Seaside: Architecture, Society and Nature by Fred Gray

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