Get Digital and Other Virtualities: Renegotiating the Image (New PDF

By Griselda Pollock, Anthony Bryant

ISBN-10: 1845115678

ISBN-13: 9781845115678

ISBN-10: 1845115686

ISBN-13: 9781845115685

If virtuality is being celebrated as heralding a appreciably new period, wealthy with new probabilities and futures hitherto unimagined via cybernetics, networking and digitalizaton, such claims also are being seen with deep skepticism and countered by way of renewed curiosity within the groundedness and referentiality of the idea that of the index. 

In this transdisciplinary e-book, significant artists, filmmakers, movie theorists, philosophers, literary critics, details theorists and cultural  analysts learn the twists and turns of  the contesting phrases of virtuality and indexicality in modern cultural conception on the subject of historical past, trauma, sexuality, textuality, nervousness, simulated lives, code, electronic cinema, technology fiction, and modern paintings. Antony Bryant, Juli Carson, N. Katherine Hayles, Anna Johnson, Mary Kelly, Brian Massumi, Claire Pajaczkowska, Griselda Pollock, Adrian Rifkin, Martha Rosler, Alison Rowley, Trinh T. Minha, Samuel Weber, and Paul Willemen draw on concrete practices, starting from movie, video and chatrooms to airport areas, conceptual paintings and textiles, to supply significantly engaged, occasionally skeptical, analyses of up to date photograph worlds within the mild of a continual allegiance to grounded histories and significant practice.

Show description

Read or Download Digital and Other Virtualities: Renegotiating the Image (New Encounters: Arts, Cultures, Concepts) PDF

Similar criticism books

Download e-book for kindle: Spiritual Seeing: Picturing God's Invisibility in Medieval by Herbert L. Kessler

If we can't see God with our personal eyes, for what function can we photograph God in paintings? in the course of the heart a while, the second one Commandment's caution opposed to idolatry was once mostly put aside because the energy of pictures turned boldly and visibly obtrusive. via the 12th century, one Byzantine authority might even provide his personal revision of the Commandment: "Thou shalt paint the likeness of Christ Himself.

Read e-book online Modern Architecture and the Mediterranean: Vernacular PDF

Bringing to mild the debt twentieth-century modernist architects owe to the vernacular construction traditions of the Mediterranean zone, this publication considers architectural perform and discourse from the Nineteen Twenties to the Eighties. The essays the following situate Mediterranean modernism on the subject of thoughts similar to regionalism, nationalism, internationalism, serious regionalism, and postmodernism - another historical past of the trendy structure and urbanism of a severe interval within the 20th century.

James W. Allan's Nishapur: Metalwork of the early Islamic period PDF

(This e-book was once initially released in 1981/82. )

Afro-Cuban Religious Arts: Popular Expressions of Cultural - download pdf or read online

“Challenges the reader in provocative new methods. issues to the salient name to motion provided through neighborhood Santería and Espiritismo arts, ritual, functionality, and different cultural kinds in addressing center questions of historical past, legacy, and new beginnings. ”—Suzanne Preston Blier, writer of Royal Arts of Africa “A a lot wanted learn of the style during which the spiritual paintings of girls is a basic measurement of Afro-Cuban non secular ritual, either within the private and non-private spheres.

Extra resources for Digital and Other Virtualities: Renegotiating the Image (New Encounters: Arts, Cultures, Concepts)

Example text

45 To this mix we can now add psychoanalysis: surely a significant site of reflection on relations of virtuality and indexicality through its own metaphoric language that struggles to think of the somatic/psychic dialectic of subjectivity, the unimaginable yet affecting corporeal materiality of the drives and/as their equally unplaceable psychic representatives, straddling the world of movement, affect, sensation, materialities and those of thought, signification and that most tricky concept, memory, whose aporia is trauma.

The smoke now precedes the fire’, suggests Massumi, in the political manipulation of a semiotics of fear. Virtuality is thus not merely a new dimension of our worlds shaped by new media technologies. In the quite different register of philosophical thinking, notably in the tradition that runs from Henri Bergson (1859–1941) to Gilles Deleuze (1925–95), virtuality is a gap rich with creative possibility. Virtuality refers to that which could become actual, but is as yet unrealized. Bergson made a distinction between the pairing of the possible and the real, and the virtual and the actual.

As the person grew habituated and less fearful, the simulated experience was gradually intensified, with habituation occurring at each step. 11 Useful as these therapies may have been for particular phobias, they focused on a narrow range of traumatic experiences and used code in a purely practical way without deeper theoretical resonances. More interesting from a theoretical perspective are recent cultural productions that explore through fictional narratives the ways in which code can be appropriated as a resource to deal with trauma.

Download PDF sample

Digital and Other Virtualities: Renegotiating the Image (New Encounters: Arts, Cultures, Concepts) by Griselda Pollock, Anthony Bryant

by Jason

Rated 4.78 of 5 – based on 38 votes