By Stephen Cairns
To stay in those globalizing instances calls for us to barter more and more palpable flows - of capital, principles, photographs, items, know-how, and folks. Such flows appear to pressurize, breach and infrequently even disaggregate the areas we constantly alleged to be exact and reliable. This publication is focussed at the interplay of 2 parts inside of this modern state of affairs. the 1st is the very concept of a spot we think to be unique and solid. this concept is explored via structure, the establishment that during the West has claimed the accountability for imagining and generating locations alongside those traces. the second one aspect is a specific form of worldwide circulation, particularly the human flows of immigrants, refugees, exiles, guestworkers and different migrant teams. This publication rigorously inspects the intersections among architectures of position and flows of migrancy. It does so with out looking to guard the belief of position, nor lament its passing. quite this booklet is an exploration of the usually complicated and unorthodox modes of living which are rising accurately from in the ruins of the belief of position. This exploration is expert through serious analyses of structure and urbanism, and their illustration in media akin to movie. The publication is lively empirically by means of a collection of overlapping and intersecting trajectories that shift from Hong Kong to Canada, Australia and Germany; from Southern Europe to Australia; from Britain to India, Canada and New Zealand; from Southeast Asia, to the Pacific Islands, to New Zealand; and from Latin the United States and East Asia to the us. yet each one geographical context mentioned represents just one element inside of a much broader trend of circulation that implicates different localities, and so signs the very undoing of a unified geographical common sense.
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Additional info for Drifting - Architecture and Migrancy
This is no more so than in the case of those migrants who come to be overdetermined by the category ‘ethnic’. The ethnicized and exoticized products of an architecture-by-migrants ﬁlls a long-standing slot within the structure of architectural theory. In the past this position might have been ﬁlled by examples of pre-modern built environments, what in the post-war period was often called an ‘architecture without architects’ (Rudofsky 1964). It is possible to generalize the function of this slot in architectural theory as being the intellectual space that orchestrates otherness in order to furnish the discipline with stimulating architectural effects.
This hedging response ﬁnds expression in a series of semantic slips that ask us to see the ‘detention’ and ‘exploitation’ of architects’ creative rights as correlated in some way with the detention and exploitation of refugees and asylum-seekers. This slippage in the Institute’s rhetoric brings architectural creativity into proximity with the conditions of migrancy but, in contrast to Ban’s emergency housing where a similar relation is broached, in this case it appears merely glib. Murcutt’s outright disgust better articulates the disciplinary norm.
Traders, prospectors, soldiers and administrators travelled to the colonies, slaves and, later, indentured labourers were shunted from one colony to another. Indigenous colonial civil servants went to Europe and, from the latter part of the twentieth century, diverse groups, from skilled professionals to manual labourers and domestic servants, to refugees and asylum-seekers, shuttle around distinctive regional and international circuits. To reduce the play between architecture and migrancy to the formulation of an architecture-by-migrants distils a fantasy of a mobile agency from a complex structure in which agency is anything but complete.
Drifting - Architecture and Migrancy by Stephen Cairns