By J.W. Frederiks
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Extra info for Dutch Silver: Wrougt Plate of North and South-Holland from the Renaissance Until the End of the Eighteenth Century
PLAQUE. pI. 15 Portrait of a man. Bust length, bareheaded, turned to the left and looking towards the spectator. Above, a suspenSIOn nng. Unsigned. 72 x 53 mm. Unrecorded. Whereabouts unknown. Date: XVIIa. The photograph is taken from an impression. Attributed to Muller by Ph. van der Kellen, formerly Director of the Printroom of the Rijksmuseum, Amsterdam. 58. PLAQUE. pI. 14 Maurice, Prince of Orange, half-length, turned three quarters to the right. He wears armour and holds a commander's baton in his right hand; his left hand rests on a table on which is helmet is lying.
The widow of Adriaen Matham, who had a son, Jacob, by her first marriage. The latter became one of the best pupils of his step-father. From 1590-1591 Goltzius made a journey to Italy. He died in Haarlem in 1617. Goltzius was one of the most skilful engravers and designers of the Netherlands. His paintings do not stand on the same high level. Two contrasting trends can be observed in his oeuvre: a naturalistic tendency, culminating in his portraits, and - a consequence of his admiration for Spranger - an excessive mannerism, which came to an end with the Italian Journey.
10 l. Date: XVId. The photographs are taken from impressions, which show traces of a suspension hole. Printing-plaques 24. 1579. PRINTING-PLAQUE. pI. 8 Portrait of Arnout van Beresteyn. Bust length, bareheaded, turned three quarters to the left and looking towards the spectator. AETA. 23. The arms of the Beresteyn family are engraved on the back, surrounded by the inscription: Tres et VICenos VItae Carperet annos, ArnoldVs faCIe sIC BeresteInVs erat. Unsigned. 45 X 34mm. Bartsch 192, 136; Hirschmann 175, 284; Whereabouts unknown.
Dutch Silver: Wrougt Plate of North and South-Holland from the Renaissance Until the End of the Eighteenth Century by J.W. Frederiks