By Biljana Oklopcic
The final fifty years have witnessed a endless movement of feedback of William Faulkner and his fiction. whereas this ebook touches at the triumphing severe concept, it concentrates on a couple of clean observations on issues and motifs that position William Faulkner’s fiction as a rule, neighborhood, worldwide and common contexts of yankee and Western literature. Paying exact awareness to subject matters and motifs of racism, sexism, women's schooling, myths and stereotypes – to say quite a few — the e-book analyzes Faulkner’s skill to jot down and to be learn inside and past his “native keystone” – his South. Coming from a non US-Americanist standpoint, this contribution to the scholarly literature on William Faulkner discusses his best-known novels, contends that regionalism, internationalism and universalism are the context of his fiction and argues for feminist, post-colonial, and psychoanalytical methods to it. The booklet is meant for students within the box of yank literature, American reviews and Southern experiences because it covers the South’s complicated background, its atypical cultural associations and the daunting physique of foreign severe experiences that has flourished round the novels over the past 5 a long time. Graduate scholars also will locate this e-book beneficial because it analyzes and translates the novels and brief tales of 1 of the best American novelists of the twentieth century in an simply comprehensible manner, supplying new and clean readings on (1) race and gender stereotypes found in American and ecu tradition and literature, (2) conventions of family/genealogical fiction/drama and (3) common lifestyles events and feelings.
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Additional resources for Faulkner and the Native Keystone: Reading (Beyond) the American South
Is prohibited from engaging the sexual services of a white prostitute; thus, his disclosure reconstitutes the agreement to exchange itself as a theft. It is not that punishment because he can’t pay, but because he is black. The disclosure recasts the entire encounter as an interracial sexual act without consent or comprehension—a rape. (2004, 60) With this experience of using sex to violate Southern racial codes, Joe Christmas once again engages in the myth of the black rapist and chooses his next “victim”— Joanna Burden.
It becomes obvious that the act of rape has failed to achieve what it should have accomplished: the prescribed race and gender balance of the role of white and feminine for Joanna and the role of black and masculine for Joe Christmas. Thus, in playing out the story of rape repeatedly, and in participating in the courtship codes and the jealous lover’s tale with her rapist, Joanna Burden subverts the very myth of the black rapist. As the generator and the protagonist of her own rape narrative, she turns upside down the prescribed notions of race, class, and gender and sets out new rules for both of them.
In addition, “her reputation is protected by the pedestal’s shadow: she can use the image of white Southern womanhood to cloak her activities” (Widmaier 2000/2001, 25). Bobbie’s conduct also reveals the instability of the system of race segregation in the South: on the one hand, she intentionally takes part in the construction of the myth of the 32 2 Regional Faulkner: Faulkner and the South black rapist and discloses Joe Christmas’ identity when her reputation comes into question; on the other, she actively participates in the most dreaded Southern white male anxiety, in which white woman lusts for a black man’s body.
Faulkner and the Native Keystone: Reading (Beyond) the American South by Biljana Oklopcic