By R.H. Furth
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Extra resources for Fundamental Principles of Modern Theoretical Physics (International series of Monographs in Natural Philosophy volume 24)
Peace, fool, thy master and his man are here, And that is false thou dost report to us. Mess. Mistress, upon my life, I tell you true; I have not breath’d almost since I did see it. He cries for you, and vows, if he can take you, To scorch your face and to disfigure you. Cry within. Hark, hark, I hear him, mistress; fly, be gone! … Adr. Ay me, it is my husband! Witness you, That he is borne about invisible: Even now we hous’d him in the abbey here, And now he’s there, past thought of human reason.
Dro. Not I, sir, you are my elder. Eph. Dro. That’s a question; how shall we try it? Syr. Dro. We’ll draw cuts for the senior, till then, lead thou first. Eph. Dro. Nay then, thus: We came into the world like brother and brother; And now let’s go hand in hand, not one before another. Exeunt. (The Comedy of Errors, V, i, 420–26) The twins’ elaborate banter about who should have seniority and precedence suggests that the playwright did not expect it to be visually undercut by an exit which necessitated one of the actors having to give precedence to the other because See Gurr, The Shakespearean Stage, p.
That done, I will be walking on the works; Repair there to me. Iago. Well, my good lord, I’ll do’t. Othello. This fortification, gentlemen, shall we see’t? Gentlemen. We’ll wait upon your lordship. Exeunt. (Othello III, ii, 1–6) Since Othello is coming from the very place to which Cassio has just been conducted, it would be logical that he and Iago enter stage right, to then exit stage left: The next scene begins with the entrance of Desdemona, Cassio and Emilia (III, iii, 1): this is a re-entrance for Cassio, so it would be logical that it be from where he last exited.
Fundamental Principles of Modern Theoretical Physics (International series of Monographs in Natural Philosophy volume 24) by R.H. Furth