During this "guided" anthology, specialists lead scholars throughout the significant genres and eras of chinese language poetry from antiquity to the trendy time. the amount is split into 6 chronological sections and lines greater than one hundred forty examples of the easiest shi, sao, fu, ci, and qu poems. A complete advent and vast thematic desk of contents spotlight the thematic, formal, and prosodic positive factors of chinese language poetry, and every bankruptcy is written by means of a pupil who makes a speciality of a specific interval or style. Poems are offered in chinese language and English and are observed via a tone-marked romanized model, an evidence of chinese language linguistic and poetic conventions, and prompt examining recommendations. Sound recordings of the poems can be found on-line for free. those precise gains facilitate an severe engagement with chinese language poetical texts and support the reader derive aesthetic excitement and perception from those works as you can from the unique.
Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)
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During this "guided" anthology, specialists lead scholars throughout the significant genres and eras of chinese language poetry from antiquity to the trendy time. the quantity is split into 6 chronological sections and lines greater than a hundred and forty examples of the easiest shi, sao, fu, ci, and qu poems. A accomplished advent and large thematic desk of contents spotlight the thematic, formal, and prosodic gains of chinese language poetry, and every bankruptcy is written via a student who focuses on a selected interval or style.
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Additional resources for How to Read Chinese Poetry: A Guided Anthology
Lifts one switching wing and turns its head back to pick at whatsoever buried itself there even in the beginning, perhaps because we are not so young and have imparted our own space— small part of what keeps me here, still how your whole self weeping once, shook with 46 She would have to do what she could do with it The caviar’s pitched like a Midwest haystack but black. It is the dean’s house. The soup was delicious, feint of lemon and scallops. But the meat is incomprehensible and swags off the plate on either side like the holiday wreath on a white door, that red, and embellished with mint.
To a hole in the sky wide enough to see through. Let’s sew this up, says the chairman. To the matter at hand and the handle he has on it. To the hand he has in it. And to the secretary, writing it down, taking the minutes. The chair sits. His face flushes like a sun gathering color before the sky’s won over and the dark takes hold. Then moistens. The chair loosens his tie. To the consummate still life: the conference table and the water glasses sweating and the coat tossed over the back of the chair.
Now turn where, to what? And how does a candle burned low make the go-round move. 30 Beds of Clandestine 1 Justin sleeps with a stuffed malaria parasite in his arms. Walks on the bent-tops of his toes so it makes mine hurt. Loses his arrow in a spring-leafed maple that hoarded the arrow that he wanted back. Look for it he said to me when the leaves fall off. Mine to find the half-hidden and I went back for it. I looked. 2 He breaks the pieces where they’re scored—stacks them in his palm—places them on his tongue rapidly one and one like laying tile before the glue dries.
How to Read Chinese Poetry: A Guided Anthology