By Karen Oslund
Iceland, Greenland, Northern Norway, and the Faroe Islands lie at the edges of Western Europe, in a space lengthy portrayed through tourists as distant and exotic--its nature harsh, its humans reclusive. because the center of the eighteenth century, notwithstanding, this marginalized zone has steadily develop into a part of smooth Europe, a metamorphosis that's narrated in Karen Oslund's Iceland Imagined.This cultural and environmental background sweeps around the dramatic North Atlantic panorama, exploring its strange geography, saga narratives, language, tradition, and politics, and examining its emergence as a particular and symbolic a part of Europe. The earliest visions of a wild frontier, jam-packed with harmful and unpredictable population, ultimately gave technique to photos of lovely, well-managed lands, inhabited through easy yet virtuous humans residing as regards to nature. this modification was once finished by means of state-sponsored average histories of Iceland which defined that the monsters defined in medieval and Renaissance go back and forth money owed didn't relatively exist, and via artists who painted the Icelandic landscapes to mirror their fertile and controlled characteristics. Literary students and linguists who got here to Iceland and Greenland within the 19th century similar the tales and the languages of the "wild North" to these in their domestic countries.Karen Oslund is assistant professor of global historical past at Towson collage in Maryland.
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Extra info for Iceland Imagined: Nature, Culture, and Storytelling in the North Atlantic (Weyerhaeuser Environmental Boo)
How was the landscape, nature, technology, material culture, religion, and language of the North Atlantic understood as part of a new world in eighteenth-century Europe, and how did these same features become part of the modern Europeans’ own world? What was the process of this transformation? Who participated in it and for what reasons? What actually changed about the environment, culture, and technology of the North Atlantic, and what changed about the perceptions of the travelers? A remarkable number of historical actors—some who lived in the countries of the North Atlantic and knew them intimately and others who never visited—expressed opinions on these issues.
This was not the case in the relationship between the North Atlantic periphery and Danish and British centers of power. The North Atlantic region was rather a zone of progressive degrees of subjugation and imposition of power, and of degrees of perception of difference and similarity. 28 The area was a series of outposts that extended the reach of European civilization and the European state at the same time that the stability and levels of this civilization were questioned and being reassessed and recalculated.
Both Danish and Icelandic officials had criticized this trading system for its inflexibility and inefficiency even before the Laki eruptions. 17 The land commission’s recommendation thus fell upon receptive ears, and the decision was made to abolish the monopoly company in 1786. 38â•… icelandic landscapes But another outcome of the Móðuharðindi, one much less direct and less noticed by historians of this period than the economic and political results, was its contribution to the discovery of Iceland as a site of scientific investigation.
Iceland Imagined: Nature, Culture, and Storytelling in the North Atlantic (Weyerhaeuser Environmental Boo) by Karen Oslund