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B:II, 309-10). La Sagesse de Roland NORMAND R. CARTIER I Quel ironique destin s'acharne a ternir le "los" de Roland depuis qu'il a franchi les portes de la legende! Le neveu de Charlemagne fut porte au faite de l'heroisme par le culte de cet honneur personnel, fonde sur le devouement a la patrie, que l'antiquite classique chanta SOUS le llOID de "fama"; mais voila plus de huit cents ans qu'une renommee injuste condamne chez lui cette meme qualite, indispensable au heros. " Enfin, Roland, qui craignait les "males chansons" plus que la mort, fut trahi par Turold,l SOll createur, plus que par Ganelon, SOll ennemi: la vielle de Turold a ete le premier instrument dont s'accompagna Malebonehe pour denigrer le heros.

E. de rechercher sans cesse les aventures. C'est ce que Proissart appellera un chevalier ''entreprenant. '' La Sagesse de Roland 37 responsable de la pretendue "defaite de Roncevaux," et surtout, qu'il n'a pas abatardi sa haute inspiration epique par un alliage clerical fonde sur des abstractions, ou en y glissant une intention didactique a l'adresse des croises de son temps. Le fait est que Roland, personnage bienplus vivant que Turold luimeme, et qui a pu depasser les previsions deSOll createur- comme Don Quichotte allait depasser celles de Cervantes - Roland est le seul heros de la Chanson dont la prouesse et la sagesse ne se dementent jamais.

Il est permis neanmoins de soulever des doutes sur les intentions de Turold, de croire qu'il n'a jamais voulu condamner Roland pour "desmesure," ni le rendre 11 Albert Pauphilet, Le Legs du Moyen Age (Melun: Librairie d'Argences, 1950), p. 3. 12 E. R. Curtius, "Zur Literarästhetik des Mittelalters, II," Zeitschrift für Romanische Philologie, LVIII (1938), pp. rgg-2o6, 225. 13 T. Atkinson Jenkins, La Chanson de Roland (Boston: Heath, 1924), pp. lxxiv-lxxv. Remarquons que dans Je contexte d'oii il est tire, l'adjectif "irrequietus" est loin d'avoir un sens pejoratif.

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Living China Modern Chinese Short Stories by Edgar (Compiled and Edited) Snow


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