Sakata Eio, Noninbo-Judan's Modern Fuseki and Juseki Volume 1: Parallel Fuseki PDF

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Extra resources for Modern Fuseki and Juseki Volume 1: Parallel Fuseki

Example text

Dia. 36: Black captures the White stones After playing 1 and 3, Black plays ate with 5 and 7 easily captures White. Dia. 1: A game with an unexplored joseki The game given in this diagram was played between Yamabe Toshiro, 9-dan (Black) and Sakata (White). The sequence up to White 16 is familiar to us. However, after White 16, Black has the freedom to choose the variation of this joseki that he desires. Very little is known about this joseki as no detailed or comprehensive study has been made of it so both players must be very careful as they venture on unknown ground.

But now White will play the sagari of 3 and attack the two Black stones. However, it's not necessary for Black to play in this manner because the development in Fig. 2 is not really disadvantageous for him_ 43 Dia. 4: The vital point It is bad for White to play at ' and then extend to 1 because then Black will play at the vital point of `a'. Dia. 5: The question in Dia. 4 is interesting since against the ogeima of ', Black 1 is not the only vital point. This is because the ogeima structure has two vital points, one at 1 and the other at `a' hence the White shape is light.

But what if White doesn't play `a' and cuts with 4? Dia. 36: Black captures the White stones After playing 1 and 3, Black plays ate with 5 and 7 easily captures White. Dia. 1: A game with an unexplored joseki The game given in this diagram was played between Yamabe Toshiro, 9-dan (Black) and Sakata (White). The sequence up to White 16 is familiar to us. However, after White 16, Black has the freedom to choose the variation of this joseki that he desires. Very little is known about this joseki as no detailed or comprehensive study has been made of it so both players must be very careful as they venture on unknown ground.

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Modern Fuseki and Juseki Volume 1: Parallel Fuseki by Sakata Eio, Noninbo-Judan


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