Download PDF by Mercedes Lackey: Oathblood (Vows and Honor, Book 3)

By Mercedes Lackey

ISBN-10: 1101153474

ISBN-13: 9781101153475

This intriguing new anthology encompasses a new novella that includes Mercedes Lackey's hottest heroines, Tarma (one of the sword-sworn and so much feared of all warriors) and Kethry (who wields magic and guns for the larger good), whose fates are all of sudden sure jointly in blood via the powers that keep watch over their destinies. additionally integrated within the exact quantity is the full number of Lackey's brief tales approximately those courageous sisters as they resolution the decision in their destinies with sword and sorcery!

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Extra resources for Oathblood (Vows and Honor, Book 3)

Example text

My short answer is no. Violence cannot be understood only in this negative way – as a ‘lack’. On the contrary, the very nature of violence is that it is productive. Violence is always accompanied by the generation of a particular meaning and desire about the enemy. It is precisely here that the misconception of the notions of otherness and desire become central: contrary to what Honneth claims, the relationship with the other is permanently marked by an interruption or impossibility. The desire of the desire of the other not only opens the door for recognition (as a demand for love), but also leads to a relationship of aggressive jealousy (your joy is my misery) and hate.

Violence cannot be understood only in this negative way – as a ‘lack’. On the contrary, the very nature of violence is that it is productive. Violence is always accompanied by the generation of a particular meaning and desire about the enemy. It is precisely here that the misconception of the notions of otherness and desire become central: contrary to what Honneth claims, the relationship with the other is permanently marked by an interruption or impossibility. The desire of the desire of the other not only opens the door for recognition (as a demand for love), but also leads to a relationship of aggressive jealousy (your joy is my misery) and hate.

4 Fantasy The stated features of language, desire and subjectivity, are expressed inter-subjectively in the impossibility of full recognition and in the relation of aggressive jealousy between the self and the other. ” This uncertainty about what the other really wants leads us to fantasy. Fantasy functions as a construction, as an overproduction of meaning. It is an imaginary scenario filling out the void, the opening of the desire of the other. ” (Zizek, 1997, p. ) Fantasy plays the role of concealing this inconsistency.

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Oathblood (Vows and Honor, Book 3) by Mercedes Lackey


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